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matrilIt's been a while since I've had a nice long rambling post about Star Wars, as I've been focusing on the massive and massively geeky undertaking of Les Starwarbles. While working on that, however, I gained yet more appreciation for the vast, fascinating story that these six movies tell together.
I've also done my share of grumping and grouching about how lazy and unoriginal the non-Lucas movie looks in comparison, though I'm trying very hard not to fall to the Dark Side of nasty bashing and focus on what I love instead. I will say this - I think we can generally agree that the original trilogy is a story of triumph and redemption, particularly Episode VI. But if you accept the new movie as canon, it completely undoes all of that. It's not just that it returns the galaxy to bleakness and tyranny - it makes every previous victory meaningless. It turns Return of the Jedi into a tragedy, the beginning of the end. How can you watch Han and Leia's romance happily, if you think it all ends up in the toilet and their son starts a new reign of terror while worshipping his dead grandpa's charred helmet? How can you cheer for Luke bringing about the return of the Jedi when the Jedi Order is going to be massacred before it really even starts up again? Episode VI promises renewal and rebirth and reawakening, and instead we're forced to believe that the Force pushes the snooze button for thirty years. Blech. Now, I'm not trashing the idea of tragedy itself. The prequels were intended to be a tragedy. That's how they were written, and that's how they play out. But the original trilogy was a tale of triumph and, you know, new hope. That's how it was intended; that's how the movies were written and created to be. It seems to me that creating a narrative that undoes this must arise from a fundamental misunderstanding of what Star Wars is all about.
Enough negativity. What I'm going to focus on here is what I love about the prequels: that they, in contrast, make watching the original trilogy even more enjoyable. I suppose here is where haters might suggest that their lesser quality makes the OT look so much better, but that's not at all where I'm headed. I enjoy watching the prequels as a tragic tale in their own right, and I enjoy the original trilogy on its own. Putting them together, however, creates a richer, deeper, incredibly rewarding experience. Here's why.
1. We see what was lost when the Empire took over. The galaxy of the OT is a harsh, constricted place in more ways than one. The aesthetics, the colors, the clothing and settings are stark, limited mostly to shades of black and white and brown. Everything is utilitarian, with only an occasional glimpse of beauty or color. Now I understand that this is something a lot of fans love about Star Wars, that it has a "lived-in" look, that there's grit and dust and all that. But let's just consider, honestly - is it somewhere you'd like to visit? Consider the settings - an unforgiving desert world, a planet of ice, a murky swamp, an armored space station whose only purpose is to deal out death. The only places that seem relatively hospitable are the jungles of Yavin IV and the forest moon of Endor, but those brief glimpses of lush green are in constant peril from the Empire's incursions, representing the spark of life struggling to remain alight long enough for freedom to be regained.
But then we have the prequels. And they show us that the galaxy is gorgeous.
I don't just want to visit Naboo. I want to live there. I mean, look at that. Imagine what the Empire's work must have done to that beauty, especially considering it was the Emperor's native planet and its peaceful ways were always vulnerable to attack. It makes the tragedy all the more tangible, knowing what was lost - and the drive for victory all the more meaningful, seeing what the Rebels are fighting to restore.
The same is true for the costumes, the architecture, the indicators of high culture. This was a mighty Republic at the peak of its power; prosperous, affording great luxuries to many of its citizens...and of course, dangerously decadent and complacent, which is how they managed to lose it all to the corruptive influence of a Sith Lord. If the galaxy looked the same before or after the Republic's fall, then what's the big deal about its fall? The contrast is deliberate and powerful.
2. Familiar tropes are turned upside-down. The prequels contain many parallels to the OT, but always with some surprising alteration. Anakin's age in Episode I, for one thing. Since Luke as introduced on the verge of manhood, we probably assumed Anakin would be as well. Instead, he's a wide-eyed, innocent child. In addition to setting the stage for Anakin's future struggles - early separation from his mother, clashes with the Council's long-established methods of training - it also helps us better appreciate Luke's journey, and how his different position grants him the opportunity to make up for his father's failures.
Another thing we learned in the OT was to associate the stormtrooper look with the bad guy's endless hordes of evil henchmen. They're basically faceless automatons. And how do they show up in the prequels? As clones, programmed from birth to serve the Republic. They're fighting on the side of the good guys. When the Republic becomes the Empire, as far as the clones know they just keep doing what they've always done. But we will never look at them quite the same way again. They're not merely a simplistic manifestation of the Empire's power; they're physical proof of the Emperor's heartless evil, as he happily produces score upon scores of living beings who have no choice but to fight and die for him and him alone. He treats them like battle droids. We know better. Also, the little fact that they're basically Boba Fett's little brothers is a fun tidbit I never would have imagined.
3. Every meeting/reunion becomes so much more poignant. When Luke sees the hologram of Leia, and later meets her in person on the Death Star, we mostly assumed he was struck by her beauty. After ROTJ, maybe we considered that they had some kind of twin-vibe going on. But it's after Episode III that these moments become most powerful. We've seen their birth. We've seen the brief moments they were together as babies, and then watched them get taken away to their respective adoptive homes. Twenty long years later, seeing the children of Padmé and Anakin reunite is so satisfying. Just knowing who the twins' mother was, her passion and courage and kindness, gives their characters fresh significance, seeing how much of her lives on in both of them. And let's not forget that Luke's first glimpse of his long-lost sister happens in the exact same room where Anakin confessed his dark vengeful actions to Padmé. That dingy old garage becomes a place of destiny.
Vader and Obi-Wan's reunion is heartrending. You get a tantalizing glimpse of their backstory if you just watch Episode IV, but how much more powerful to see their relationship grow, then deteriorate after Anakin's fall, culminating in the tragedy on Mustafar - and then to watch them meet on the Death Star. Just imagine what must be going through their minds, how fraught that moment is. You know they won't both walk away from this one either, but this time it's Obi-Wan who willingly sacrifices himself.
And consider how much more tragic to see Alderaan destroyed when we know more about Leia's adoptive parents, particularly Bail. We see clearly how a man such as that would raise a passionate freedom fighter like Leia, and we share her anguish so much more deeply as her home is lost forever.
Meanwhile, it's pretty darn entertaining to see Yoda show up in Episode V if you've seen him as a wise, respected leader of the Council....sure, he's testing Luke, but I'm pretty sure he's gone a bit loopy after all that time alone on Dagobah. The contrast is a lot of fun.
4. New details offer clarity, and a number of surprises. When Obi-Wan and Yoda's bodies vanish and they become ghosts, it's easy to assume that's just a Jedi thing. The prequels reveal just how rare it is - and we see Qui-Gon's influence extends long past any explicit mention of him. Blue ghosts are even more miraculous than we might have thought.
When Yoda says Luke is "too old" to begin training, it sounds like he might just be searching for excuses. Then Episode I told us that Anakin, at age nine, was too old. No wonder Yoda was so resistant to teaching an adult! But Luke's success tells us that the former Council's methods weren't necessarily infallible after all.
5. The contrast of Anakin's fall with Luke's triumph is such a thing of beauty. Though Anakin's ultimate decision to join the Dark Side is one that, I hope, we cannot sympathize with, there is much in his preceding struggles that is highly sympathetic. He misses his mother, and deeply regrets that he was too late to save her from death. He longs for a life with Padmé and fights to reconcile that with his allegiance to duty. He fears losing her as well. He's overwhelmed by the prospect of fatherhood. He feels under-appreciated and resents the Council's distrust of him, turning instead to the pleasant flattery of Palpatine. None of this excuses his fall, but it makes us recognize how perilous it must be to walk the path of a powerful Jedi.
So Luke's path is equally uncertain. Considering Anakin's fall arose from a fear of losing the ones he loved, imagine how terrified Obi-Wan and Yoda must be when Luke is gripped by those same fears, flying recklessly off to Cloud City to try to rescue his friends. And failing spectacularly. Vader, we realize, laid the trap for him precisely because he knew how powerful the fear of loss could be. He knew it would draw Luke to him like nothing else could, because that's what happened to him. His claim to Luke in ROTJ that Dark Side is "the only way to save your friends" makes a lot more sense when we see how Palpatine lured Anakin to the dark. And Luke's refusal to give in to hate is glorious, shining a light so bright it casts away the shadow that has enveloped Anakin since his fall. Knowing the innocent child he used to be makes his return so much more poignant.
I'm sure there's much, much more. I appreciate every detail more each time I watch the saga. At the end of it all, watching the prequels makes me even happier when I watch the originals afterwards. And I'd much rather be happy than grumpy and grouchy. It will always be Episodes I-VI for me.
I've also done my share of grumping and grouching about how lazy and unoriginal the non-Lucas movie looks in comparison, though I'm trying very hard not to fall to the Dark Side of nasty bashing and focus on what I love instead. I will say this - I think we can generally agree that the original trilogy is a story of triumph and redemption, particularly Episode VI. But if you accept the new movie as canon, it completely undoes all of that. It's not just that it returns the galaxy to bleakness and tyranny - it makes every previous victory meaningless. It turns Return of the Jedi into a tragedy, the beginning of the end. How can you watch Han and Leia's romance happily, if you think it all ends up in the toilet and their son starts a new reign of terror while worshipping his dead grandpa's charred helmet? How can you cheer for Luke bringing about the return of the Jedi when the Jedi Order is going to be massacred before it really even starts up again? Episode VI promises renewal and rebirth and reawakening, and instead we're forced to believe that the Force pushes the snooze button for thirty years. Blech. Now, I'm not trashing the idea of tragedy itself. The prequels were intended to be a tragedy. That's how they were written, and that's how they play out. But the original trilogy was a tale of triumph and, you know, new hope. That's how it was intended; that's how the movies were written and created to be. It seems to me that creating a narrative that undoes this must arise from a fundamental misunderstanding of what Star Wars is all about.
Enough negativity. What I'm going to focus on here is what I love about the prequels: that they, in contrast, make watching the original trilogy even more enjoyable. I suppose here is where haters might suggest that their lesser quality makes the OT look so much better, but that's not at all where I'm headed. I enjoy watching the prequels as a tragic tale in their own right, and I enjoy the original trilogy on its own. Putting them together, however, creates a richer, deeper, incredibly rewarding experience. Here's why.
1. We see what was lost when the Empire took over. The galaxy of the OT is a harsh, constricted place in more ways than one. The aesthetics, the colors, the clothing and settings are stark, limited mostly to shades of black and white and brown. Everything is utilitarian, with only an occasional glimpse of beauty or color. Now I understand that this is something a lot of fans love about Star Wars, that it has a "lived-in" look, that there's grit and dust and all that. But let's just consider, honestly - is it somewhere you'd like to visit? Consider the settings - an unforgiving desert world, a planet of ice, a murky swamp, an armored space station whose only purpose is to deal out death. The only places that seem relatively hospitable are the jungles of Yavin IV and the forest moon of Endor, but those brief glimpses of lush green are in constant peril from the Empire's incursions, representing the spark of life struggling to remain alight long enough for freedom to be regained.
But then we have the prequels. And they show us that the galaxy is gorgeous.
I don't just want to visit Naboo. I want to live there. I mean, look at that. Imagine what the Empire's work must have done to that beauty, especially considering it was the Emperor's native planet and its peaceful ways were always vulnerable to attack. It makes the tragedy all the more tangible, knowing what was lost - and the drive for victory all the more meaningful, seeing what the Rebels are fighting to restore.
The same is true for the costumes, the architecture, the indicators of high culture. This was a mighty Republic at the peak of its power; prosperous, affording great luxuries to many of its citizens...and of course, dangerously decadent and complacent, which is how they managed to lose it all to the corruptive influence of a Sith Lord. If the galaxy looked the same before or after the Republic's fall, then what's the big deal about its fall? The contrast is deliberate and powerful.
2. Familiar tropes are turned upside-down. The prequels contain many parallels to the OT, but always with some surprising alteration. Anakin's age in Episode I, for one thing. Since Luke as introduced on the verge of manhood, we probably assumed Anakin would be as well. Instead, he's a wide-eyed, innocent child. In addition to setting the stage for Anakin's future struggles - early separation from his mother, clashes with the Council's long-established methods of training - it also helps us better appreciate Luke's journey, and how his different position grants him the opportunity to make up for his father's failures.
Another thing we learned in the OT was to associate the stormtrooper look with the bad guy's endless hordes of evil henchmen. They're basically faceless automatons. And how do they show up in the prequels? As clones, programmed from birth to serve the Republic. They're fighting on the side of the good guys. When the Republic becomes the Empire, as far as the clones know they just keep doing what they've always done. But we will never look at them quite the same way again. They're not merely a simplistic manifestation of the Empire's power; they're physical proof of the Emperor's heartless evil, as he happily produces score upon scores of living beings who have no choice but to fight and die for him and him alone. He treats them like battle droids. We know better. Also, the little fact that they're basically Boba Fett's little brothers is a fun tidbit I never would have imagined.
3. Every meeting/reunion becomes so much more poignant. When Luke sees the hologram of Leia, and later meets her in person on the Death Star, we mostly assumed he was struck by her beauty. After ROTJ, maybe we considered that they had some kind of twin-vibe going on. But it's after Episode III that these moments become most powerful. We've seen their birth. We've seen the brief moments they were together as babies, and then watched them get taken away to their respective adoptive homes. Twenty long years later, seeing the children of Padmé and Anakin reunite is so satisfying. Just knowing who the twins' mother was, her passion and courage and kindness, gives their characters fresh significance, seeing how much of her lives on in both of them. And let's not forget that Luke's first glimpse of his long-lost sister happens in the exact same room where Anakin confessed his dark vengeful actions to Padmé. That dingy old garage becomes a place of destiny.
Vader and Obi-Wan's reunion is heartrending. You get a tantalizing glimpse of their backstory if you just watch Episode IV, but how much more powerful to see their relationship grow, then deteriorate after Anakin's fall, culminating in the tragedy on Mustafar - and then to watch them meet on the Death Star. Just imagine what must be going through their minds, how fraught that moment is. You know they won't both walk away from this one either, but this time it's Obi-Wan who willingly sacrifices himself.
And consider how much more tragic to see Alderaan destroyed when we know more about Leia's adoptive parents, particularly Bail. We see clearly how a man such as that would raise a passionate freedom fighter like Leia, and we share her anguish so much more deeply as her home is lost forever.
Meanwhile, it's pretty darn entertaining to see Yoda show up in Episode V if you've seen him as a wise, respected leader of the Council....sure, he's testing Luke, but I'm pretty sure he's gone a bit loopy after all that time alone on Dagobah. The contrast is a lot of fun.
4. New details offer clarity, and a number of surprises. When Obi-Wan and Yoda's bodies vanish and they become ghosts, it's easy to assume that's just a Jedi thing. The prequels reveal just how rare it is - and we see Qui-Gon's influence extends long past any explicit mention of him. Blue ghosts are even more miraculous than we might have thought.
When Yoda says Luke is "too old" to begin training, it sounds like he might just be searching for excuses. Then Episode I told us that Anakin, at age nine, was too old. No wonder Yoda was so resistant to teaching an adult! But Luke's success tells us that the former Council's methods weren't necessarily infallible after all.
5. The contrast of Anakin's fall with Luke's triumph is such a thing of beauty. Though Anakin's ultimate decision to join the Dark Side is one that, I hope, we cannot sympathize with, there is much in his preceding struggles that is highly sympathetic. He misses his mother, and deeply regrets that he was too late to save her from death. He longs for a life with Padmé and fights to reconcile that with his allegiance to duty. He fears losing her as well. He's overwhelmed by the prospect of fatherhood. He feels under-appreciated and resents the Council's distrust of him, turning instead to the pleasant flattery of Palpatine. None of this excuses his fall, but it makes us recognize how perilous it must be to walk the path of a powerful Jedi.
So Luke's path is equally uncertain. Considering Anakin's fall arose from a fear of losing the ones he loved, imagine how terrified Obi-Wan and Yoda must be when Luke is gripped by those same fears, flying recklessly off to Cloud City to try to rescue his friends. And failing spectacularly. Vader, we realize, laid the trap for him precisely because he knew how powerful the fear of loss could be. He knew it would draw Luke to him like nothing else could, because that's what happened to him. His claim to Luke in ROTJ that Dark Side is "the only way to save your friends" makes a lot more sense when we see how Palpatine lured Anakin to the dark. And Luke's refusal to give in to hate is glorious, shining a light so bright it casts away the shadow that has enveloped Anakin since his fall. Knowing the innocent child he used to be makes his return so much more poignant.
I'm sure there's much, much more. I appreciate every detail more each time I watch the saga. At the end of it all, watching the prequels makes me even happier when I watch the originals afterwards. And I'd much rather be happy than grumpy and grouchy. It will always be Episodes I-VI for me.
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no subject
Date: 2016-06-30 09:13 pm (UTC)BTW I very much agree with your first paragraph. I even wrote a whole essay about it that I've been privately passing around to all who are interested.
no subject
Date: 2016-06-30 10:16 pm (UTC)no subject
Date: 2016-07-01 11:34 pm (UTC)Maybe I was bracing myself by the time the rapid-fire witty banter of The Force Awakens piled up into its later scenes because I had the scratching sense it might somehow overwhelm my hard-gained and perhaps even hard-maintained "prequel positivity," but when the movie was over I let out a metaphorical breath and told myself it hadn't seemed quite as "prequel-hostile" as the one-note hype somehow might have wanted to hint... the only problem was that by just a few hours later I was getting the sense there seemed something kind of off about how the movie connected to the other side of the saga. There do seem to be people who are taking it in good faith and fitting the new characters into a "family" interpretation, but I suppose my problem is the promotion of the movie on Blu-Ray went straight back to "isn't it wonderful these creatures were right there on the set?" (despite a certain impression of mine the creatures the actors were interacting the most with were computer-animated...) That made me less than willing to buy a copy. Right now I'm just hoping recollections of a news item or two are accurate and the movie will get on Netflix in Canada before the end of the year, or maybe that discount copies will appear on the sales racks nearby...
With all of that aside, I agree with your following points, which I'm sure are more worth agreeing with anyway. I perpetually think back to the late 1990s, when the previous extension of the saga seemed to be fuelling a chilly interpretation of the movies that just might dwell most of all on proclaiming Return of the Jedi a letdown, and these days I honestly can't see what's left about the old movies anyway to make them so worth clinging to when the new ones are rejected. "Snappy banter" and "a particular look" just leave me asking "So?"
no subject
Date: 2016-07-02 01:55 am (UTC)no subject
Date: 2016-07-02 08:28 pm (UTC)I've read people saying "oh, they couldn't have had all three of them in one movie, it would overwhelm the new people" - well, then the writers should be looking at their own writing, if that's the case.
no subject
Date: 2016-07-03 03:41 pm (UTC)Which is also a complete nonsense. Both Anakin and Obi-Wan still have major and active roles in Episode IV, even bigger than the OT trio in TFA and yeat they never overwhelm Luke, Leia and Han in the story. Maybe George Lucas is just a better writter than Abrams and Kasdan which considering the disjonted mess of a plot in TFA compared to the brilliant storytelling of I-VI isn´t that hard to believe.
no subject
Date: 2016-07-03 04:04 pm (UTC)Appatently it's pop cultural heresy to claim that Lucas is a superior storyteller, but I don't care. The evidence is right there. All this pandering to fanboys will never reach the levels of his creative innovation.
no subject
Date: 2016-07-03 06:10 pm (UTC)I was so happy to see Han when he got there...and then they wanted me to believe all that nonsense about he and Leia being apart and that he wouldn't take a purported map to Luke to Leia. That was the exact moment the movie started to come apart for me. Bad enough they were already claiming that he was back smuggling and lousy at it (I saw someone on a comment thread call Han the Jack Sparrow of Star Wars - seriously?), and lose the Falcon. Okay...
But not get to Leia with news about Luke?
The whole OT's foundation is the friendship of Luke, Han and Leia. That it becomes family ties and love at the end, no matter what, they are still friends with each other, a friendship that stands up through torture, carbon freeze, battle after battle, revelation after revelation...and now you want me to believe this?
The OT & PT work because Lucas is an actual storyteller, who synthesized myth and all these disparate strands of moviemaking into a whole. He has a vision and a story he wants to tell. He also understands that some of the strongest relationships are between friends - Obi Wan and Qui Gon, Obi Wan and Anakin, Luke, Han and Leia. There's love in the mix too, but those foundations drive a lot of the movies.
The ST is a remix. It's Kasdan trying to resurrect his past glory and Abrams, who never met a fandom he couldn't hack apart (don't start me on Trek), deciding that the only way to make a SW movie is to...make Ep IV and switch up the parts. They don't have a vision outside of redoing the parts that they think signify "Star Wars movie" - so a Death Star, some X-Wings, a villain in a mask and cape (why???). So we'll have a boy and girl meet and then have them bicker - no, until Harrison got hurt, that was the plan for Rey and Finn. We'll kill our pilot off early - because Poe was supposed to die in the crash. Then we won't even have a trio - which, they don't really, since Poe never meets Rey. We'll make Han play himself and Obi Wan/Qui Gon, because someone who's a known star has to die, apparently, for it to be a SW movie (and throw his death scene away - because Abrams was quoted that oh, people are not concerned Han died, they're concerned that Kylo is now dark forever. I don't know who those people are but I certainly wasn't one of them).
We'll make the villain the son this time, won't that be wonderful? Yeah, because I really want to see a SW movie where Han and Leia's child will probably be killed by Luke's child (not that I won't cheer when KRen bites the dust). Who apparently Luke left in a desert, because apparently SW movie also means we get a desert planet. Meanwhile, we'll turn Luke into Yoda, because that's what old Jedi do.
And once we've completely destroyed the growth and love of the OT 3 by ripping them apart and turning them back to who they were in Ep IV, and make their kids oppose each other, please enjoy Luke and Leia having to redeem Han's killer, just because he's their kid. Because you know that's coming.
Lucas had a story to tell, a vision, and the ability to tell a visual story. Every time I see "oh, look at the parallels btw the OT and the ST" comparison GIF sets on Tumblr, I just think..."Yeah, Abrams can rip off something if he looks at it long enough." It's not a parallel, it's a ripoff.
And not one scene has the power of the binary sunset shot. Not one. And there's no narrative flow between the OT and ST. Those six movies tell you a cohesive story. I don't get the story the ST is going to tell me. And all the people going "oh, it's just part 1" - well, part 1 didn't do enough for me that I care. If Luke and Leia weren't in 8 and 9, I wouldn't be going. And if Luke doesn't make it out of 8? I'll be thinking very hard about 9.
no subject
Date: 2016-07-03 09:51 pm (UTC)no subject
Date: 2016-07-03 03:52 pm (UTC)no subject
Date: 2016-07-02 03:32 am (UTC)And all of you are making me want to rewatch the prequels. Lovely writing on your piece!
no subject
Date: 2016-07-02 04:15 pm (UTC)no subject
Date: 2016-07-02 08:34 pm (UTC)no subject
Date: 2016-07-04 03:05 pm (UTC)no subject
Date: 2016-07-04 03:41 pm (UTC)no subject
Date: 2016-11-18 04:50 pm (UTC)no subject
Date: 2016-11-18 05:17 pm (UTC)