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So enough of this Han/Leia stuff, whatever happened to Luke??

We find him hanging upside-down in a forbidding cavern. It's the first of several times in this film that Luke shows up in this striking position, a visual representation of how his worldview is about to get thoroughly upended.

But meanwhile, we have a tantalizing glimpse of Luke's emerging powers. In the first film we saw that the Force helped old Ben moved with amazing speed and dexterity, as well as providing a kind of inner vision past the ordinary senses. But we didn't quite witness an example of full telekinesis (unless you count Vader's Force choking, I guess). Now we get to see the lightsaber, fully out of Luke's physical reach, fly into his outstretched hand.

First, though, there's an important moment of quiet. It's vital that we recognize the need for inward peace and serenity in order to draw upon the Force, because Luke is really going to struggle with that later on. At least for now he's able to get his weapon in the nick of time, free his frozen feet and escape the monster.

(Did you know that Mark Hamill disliked the idea of Luke maiming the creature? He felt that a Jedi would never harm a life form unnecessarily, who was after all only following its instincts. Better if he had just scared the wampa enough to get away. An interesting perspective.)

Anyway, his powers are exciting, but not quite enough to survive a frozen night on Hoth. Next time, the lonely imagery of an ice planet...
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For exterior shots on Hoth, production went to an actual frozen, snow-laden location in Norway. But for the indoor shots, they needed to transform a soundstage into a giant ice cave hanger.

It looks quite convincing. The jagged icy stalactites and stalagmites, the freezing look of the floor, and the stark white color palette that includes even the pipes along the walls. Lastly, there's the blend of technology and organic, droids and tauntauns, that has always given Star Wars a distinctive flavor. It's just so visually interesting.

Next time, some emerging Jedi skills...
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A conversation between two people is not inherently compelling, visually speaking. If they're just standing or sitting there, it can feel a bit boring and static even if the dialogue is sparkling. So it's important to use imaginative staging and blocking. When Han and Leia have their first argument of the movie (there are many more to come), there's a very deliberate framing of the scene that creates a dynamic sense even when the characters are standing still.

First Leia is confronting him, authoritative in spite of the height difference. (She might have a little help from the platform she's standing on.) Switching to a closer shot gives us a sense of intimacy, but also escalation. Note how the camera is slightly lower, looking up at their faces. Again it reduces the sense of difference in their heights.

But Leia's 'high ground' in the argument doesn't last. Just when we might be getting tired of this same location, Han storms off so she has to follow him and resume their argument in a new configuration. Now Han is obviously much taller, bending over just to meet her eyes. When Leia struggles to deny her feelings, Han straightens in veritable triumph. (We also have the humor of an anonymous Rebel walking straight through their confrontation, too busy to apologize to the couple that, by now, must be famous for their emotionally-charged bickering. Just kiss and get it over with, he's probably thinking, so the rest of us can actually get some work done around here.

Finally Han storms off for a second time, but not before shouting You could use a good kiss for the entire hallway to hear him. We get a lingering shot of Leia's reaction, angry and flustered, even turning around as if to check whether that guy in the doorway just heard the whole conversation. If this is a competition, Han definitely won this round.

Next, a little set design appreciation...
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Han, unaware of his friend's dire situation, returns to the Rebel base. It's here that we are introduced to one of the primary conflicts of this film: will Han stay with the Rebellion or leave? There are compelling reasons on both sides. He's got a price on his head from Jabba, which not only endangers him but everyone he interacts with. On the other hand, after all his mercenary ways he's starting to develop a sense of loyalty to the Rebel cause, and as General Rieekan points out, his skills will be sorely missed.

And...one other thing.

Before Leia says a single word, we can see there's Something going on between her and Han. The entire time he's talking to Rieekan, we keep cutting back to the Princess. Han reveals that he's planning to leave, and Leia tries so very hard not to show any reaction. Han tries to be stoic too, but we get little glimpses like this, and we know there's a whole lot of feelings beneath the surface.

All of that, and they haven't even said anything to each other yet. Actually, their faces speak more truth than their subsequent conversation, in which they both dance around the incredibly vulnerable emotions they're both experiencing. Han wants Leia to admit her feelings before he does. Leia doesn't want to let her guard down when there's no guarantee that he'll stay for good. They're both stubborn people who have been burned in the past (you can make up whatever backstory you want for Han. Leia, we know, has lost an entire planet of family and loved ones) and they refuse to acknowledge anything verbally until the last possible moment. Maybe not even then.

But their faces can't lie.

Next time, some clever blocking....
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Well, that's enough setup, right? Let's get to our heroes! Show them heroically going forth, doing heroic things!

No, it's not going to be that easy. Our first look at Luke is an obscure figure riding a strange beast. He's so bundled up we can't see his face, until he briefly uncovers it to talk to Han. At least that conversation gives us the familiar camaraderie we know from the first film.

But immediately thereafter, Luke is attacked out of nowhere by a terrifying monster. Many assume this sequence was only added to explain the massive damage done to Luke's face because Mark Hamill was in an awful car crash. It's odd that everyone thinks that, when you can easily compare before and after pictures and see...pretty much the same facial features. Just a few little scars. But whatever, this attack wasn't a hasty last-minute insert. It's integral to plot and character development. For one thing, it establishes immediately that things are about to go very hard for our heroes. All the trials they endured last time? That's nothing compared to what's coming.

Next, more troubles and tribulations....
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Here we are at the end of Episode V at last. If this trend of ever-increasing posts continues, I suspect that Episode VI will easily exceed 50. That's perfectly fine with me; I'd be happy to spend another year on this series!

In any case, this middle film in the trilogy ends as any second act of a three-act story, with many questions and problems still unresolved amid a wistful, uncertain tone. Our heroes have made it to the Rebel fleet at last, and Lando is fully on their side now. But Han is still in the clutches of a bounty hunter, presumably frozen, Luke has lost a hand, the Rebellion has been forced to the very outskirts of the galaxy, and Vader's ominous declaration of parentage has yet to be addressed.

What else can be done except to move on? Our heroes don't give up; that's what makes them heroic. More than any extraordinary powers or mysterious origins, it is the determination to keep going no matter how great the challenges, no matter how hopeless the situation appears. Lando and Chewie are already embarking on a quest to rescue Han; Luke and Leia will follow soon after. Luke has a new mechanical hand that looks to function just as well as a real one. And his last line is full of hope.

"May the Force be with you."

(My husband likes to point out that technically, Luke's last line and the concluding line of the film is "Ow!" But let's not nitpick.)

This is the first time we've heard Luke speak this line. It's significant in its timing. It would have easy for him to declare at the end of Episode IV, when he was giddy with the success of his newfound powers and had every reason for optimism. Now he's had to confront a much darker view of the Force, not only from Vader but within himself. He could be questioning whether Ben was ever honest with him, doubting all his teachings. Still he affirms his faith. Invokes the blessings of the Force on their mission. Still he hopes.

I love Luke.

Then, with the final shot of the (unwitting) twins facing a vast vista and their uncertain future (paralleled quite poetically by the final shot with their parents in Episode II) we conclude this episode and move on to the final film!
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Lots of powerful moments after Luke takes his leap of faith, as it were. Leia's face when she senses Luke's call for help and knows just where to find him. Luke and Vader's connection, across the reaches of space. The almost comical despair when the hyperdrive fails yet again, and Lando echoing Han's "It's not my fault!"

The funniest line, however, comes from the reliably hysterical Threepio. To be fair, he's gone through quite an ordeal. Stumbling across evidence of the impending betrayal and getting blasted apart. Enduring a rather sloppy repair, forced to hang from a net on Chewie's back. Finally getting fixed properly by Artoo, only to be interrupted when the droid ambles off, beeping something about the broken hyperdrive.

"I'm standing here in pieces, and you're having delusions of grandeur!"

I just love Threepio. His frantic reactions are pretty much the same as I would have in these situations, let's be honest. (Same with Jar Jar). I don't usually face adversity with stoicism and fortitude; I whine and shriek and flail. And feel very much put-upon when people aren't sympathetic to my complaints.

About Threepio's half-restored leg, by the way -- I read Anthony Daniel's memoir this year (well, I skipped the bits about the Disney Space Movies) and thoroughly enjoyed his explanations for how they pulled off the portrayal of a dismantled C-3PO. It was a surprisingly low-tech. This bit, for example, involved Daniels simple bending his un-costumed lower leg so the calf was hidden behind the thigh. Simply but effective.

Next time, the final line for Episode V....
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Whew. This installment has gone on for quite a while, hasn't it? Longer than the previously reigning champion, Episode III. It could be that there are a lot of great lines in this film, but more likely it's just that I tend to get more long-winded the longer I write about something. (Also, my favorite scene in this film is very dialogue-heavy, so it took up five whole entries on its own...) Anyway, we're finally winding down. I'm planning on just two more entries after this to finish Episode V.

The duel with Vader culminates with a fascinating twist -- and I'm not just talking about the reveal of Vader's true identity. That line is pretty simple, though oft misquoted (It doesn't start with Luke; it's No. I am your father) but it leads into the deeper implications of Luke's parentage. It's not just that Luke's father is the bad guy. With this ominous birthright, Luke possesses the capacity to follow in his dark footsteps and become like him. And there's a particularly tantalizing claim amid Vader's call for Luke to join him.

"You can destroy the Emperor; he has foreseen this. It is your destiny. Join me, and together we can rule the galaxy as father and son. Come with me. It is the only way."

Quite a mouthful, and Luke is done interrupting. After his initial anguished outburst, he has withdrawn into his own thoughts, silently working through these shocking revelations. He may deny them all he wants, but his feelings are telling him otherwise.

And that claim about destroying the Emperor. Who wouldn't be tempted by that? To be told that destroying the leader of the Empire is nothing less than his destiny -- well, didn't Luke already destroy the Death Star and lead the Rebels to their first great victory? Isn't he the last Jedi apprentice for a reason?

We know about Vader's ploy to turn Luke from his earlier communication with the Emperor, but until the end of the duel Luke probably still assumed that Vader just wanted to kill him. That's what he did to Obi-Wan; that's what he supposedly did to Luke's father. Instead, Vader offers him victory, power, the chance to build the galaxy anew. As father and son. I already addressed the parallels with Episode III in that installment's 34th entry, the heartbreaking moment when Anakin makes a similar offer to Padmé.

Both of them reject it. The price is too high.

It is the only way. It says so much about Anakin/Vader that he believes this. That he sees nothing but the narrow, shadowed path of the Dark Side. That he cannot conceive how anyone could choose differently. When Padmé chooses differently, his frenetic mind casts the blame upon Obi-Wan. When Luke lets himself fall into the void, there is no one else to blame. He chose, of his own volition, to reject power and embrace passivity -- even a possible death. Though Vader's thoughts remain unexpressed, I imagine this marks the beginning of a change in his perspective, a broadening of possibilities that will draw him gradually back to the light.

Next, Threepio is dependably hilarious in the face of peril....
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There are lots of great moments during this climax; Lando fully embracing the role of hero as he publicly warns the citizens of Bespin to flee; Threepio's many frantic complaints; Artoo's unerring ability to save the day (even if he does manage to electrocute himself just a bit before finding the proper socket). But let's get to the really meaty stuff, in Vader and Luke's confrontation.

Luke is looking much worse for the wear after encountering Vader in the corridor. No more temporarily gaining the upper hand; he is thoroughly trounced, pummeled by heavy objects that Vader manipulates with ease, finally blown straight out the broken window. It seems sadly accurate when the Sith Lord declares You are beaten.

Stubbornly Luke continues to fight him, and loses his hand in the process. Once again Vader urges his surrender.

"Don't make me destroy you."

Consider the implications of this statement. Vader is putting all the blame of Luke's demise upon Luke. These are the words of an abuser. Abusers never accept responsibility for their abusive behavior; they always point their fingers at their victims. Now of course Luke isn't completely free from blame. He ignored the counsel of his teachers and rushed into a duel that he was most certainly not prepared for. But ultimately, Vader is the one who is responsible for whether Luke dies or not.

Vader is presenting a false binary of choices -- either Luke gives himself over to Vader, or he must be destroyed. Happily, we'll eventually see Luke realize the possibility of a third choice. You don't have to let your abuser set the terms of your behavior. They might hold physical power over you, but they are not the master of your soul.
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Vader is quite the chatterbox during the first part of the duel. Luke has just one line (a rash and arrogant You'll find I'm full of surprises) while Vader rambles on and on. There is a definite purpose to his words, however. He isn't looking to simply defeat Luke -- and as we'll see later on, he's toying with him at the beginning. His skills are far superior and he holds back only to test Luke's abilities. No, he doesn't just want to claim his life. It's Luke's soul that Vader is after.

So the Sith Lord taunts him, offers faint praise and cutting insults. Acknowledges that his training has been good, but points toward a very different sort of training.

"Now, release your anger. Only your hatred can destroy me."

This is our first intimation of the great paradox contained within the Dark Side. To slay one's foe might not be a victory at all. If you kill your enemy by becoming like him, you haven't really defeated him at all.

Then how can you win? Well, we won't get that answer till Episode VI, when the Emperor continues this strange tactic of encouraging Luke's vicious anger against him. Meanwhile, Luke falls prey to Vader's taunts quite readily, striking out in hatred, seeking vengeance and destruction rather than the fruits of the good side of the Force. He has a lot of hard lessons to learn.

Next, Vader's relentless attacks on Luke's body and mind continue...
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The first ray of hope in these dark circumstances comes with Lando's sudden turnabout -- a change that was really inevitable. It's clear that the Empire can't be trusted to keep their side of a deal, so why bother making deals at all?

The moment is quiet, so surprising and subtle that it takes a moment to register what's really happened. With impressive neatness and stealth, his men take out the Imperials and leave Lando free to rescue Leia, Chewie and maybe Han.

Well, except that Leia and Chewie aren't really inclined to trust their betrayer. I've often referenced this moment of Leia watching in savage approval as Chewie strangles Lando -- an indication that she's veering dangerously close to the anger and hate of the Dark Side. It's her love for Han that shakes her out of it. Saving him is more important than punishing Lando.

With all this encroaching darkness feeling a bit burdensome, I'm going to select a lighter quote for this week's entry. Threepio, comically in pieces on Chewie's back, offers Lando a desperate apology as they hurry away.

"I'm terribly sorry about all this -- after all, he's only a Wookiee!"

Ah, Threepio. Are you using Chewie's species to justify his violence? Avowing that his simple mind isn't capable of curbing savage urges? Hah. Those are all heady, over-wrought questions for a line meant to make us chuckle. It's really quite amusing to have Threepio frantically pleading for the Wookiee to trust Lando while Leia and Chewie aren't having it. Endlessly pragmatic, and yet frequently oblivious to reality. Earlier, he even suggested surrendering to the Empire and hoping they were "gracious enough" to show mercy or what have you.

At least in this case, trusting Lando is in fact a good idea, although the brief delay makes them juuuust miss Boba Fett before he flies off with Han-in-carbonite. And there are more troubles coming.

Next, more of the stand-off between the cocky kid and the Sith Lord...
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This is the point of the film when it looks like everything is going wrong for our heroes. Han has been frozen and Boba Fett is carting him off, Vader has changed his mind yet again and demands that Leia and Chewie remain in Imperial custody, and Luke is about to fall directly into the Sith Lord's trap -- in spite of Leia's screaming plea that warns him of that very thing.

Well, the darkest pits make for the most thrilling escapes. What makes Episode V so compelling isn't being "darker" than the other films; it's that only some of its perils are overcome by the end of the movie. It was truly a middle act, leaving the full resolutions for the third. It made for a very unusual, daring sequel in an era where movies were reliably self-contained, single stories. Yet another way that the Star Wars saga forever changed the landscape of cinema.

Anyway, Luke enters the trap. On some level I think he's aware of this. He's not oblivious...just rash and reckless and over-confident. As Vader declares:

"The Force is with you, young Skywalker. But you are not a Jedi yet."


The visuals of this scene give me chills. Everything in stark shadow. Two bold silhouettes. A simple image, in many ways, and yet so evocative and memorable. And Vader's taunts, the faint praise wherewith an abusive parent damns his child.

There are shades of this exchange in the Count Dooku/Anakin duel in Episode II. Insults and sneers are as much a Sith Lord's weapons as a red-bladed lightsaber. Much like young Anakin, Luke does not yet have the emotional dexterity to parry those taunts. He despises Vader, and yet he is determined to prove his worth to him, to conquer this monstrous figure. That goes about as well as you might expect, alas.

In truth, it is only by recognizing the monstrous figure inside himself that Luke can become a Jedi Knight.

Next time, sparks fly amid a shifting allegiance...
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The carbon-freezing chamber scene might just be my favorite part of this film, though it would be a close contest with Yoda levitating the ship. But this one is rather sparser on lines, so I doubt I'll be spending a full month of entries on it. ;) It's the confluence of so many well-crafted elements -- closeups on emotive faces, the eerie lightning and the steam, the music rising into the sweepingly romantic theme for Han and Leia only to fall into the harsh, militant chords of the Empire.

And it was a beast to film, as any behind-the-scenes sources will plainly indicate. I'm particularly fond of a little gem I found at a used bookstore called "Once Upon a Galaxy: A Journal of the Making of the Empire Strikes Back." It was released the same year as the film and has a lot of real-time, primary source records of the filming process. It includes a full transcription of Kershner's conversations with cast and crew during the day they shot the freezing chamber scene. There were such difficulties as costuming complications, safely lowering the platform for Han, making sure that no one fell off the edge of the rather precarious set, exposition concerns and last-minute dialogue changes.

And so we come to Han's famous line. Leia has finally confessed her love, after being confronted with the reality that he might be about to die. And how does he reply?

"I know."

We tend to see this line as classic Han snark -- self-assured, even smug. What an arrogant way to respond to a confession of love, right?

But look at his face; listen to his tone. It's not arrogance. More like reassurance, calming words. All this time he's been pushing and pushing Leia to admit her feelings, but now he's willing to acknowledge that it's enough; he knows. No demands. No need for regrets. She might not have said everything she could say in words, but in other ways, she's conveyed everything important.

Am I reading too much into two simple words? Of course; that's the whole point of this series! But all I have to do is compare this exchange to its mirror in Episode VI. Leia's version is much more playful and self-assured, a fitting tone for that moment. Episode V's moment is serious but not overdone, a brief but expressive comfort at the point of crisis.

Longtime readers will also know that I delight in how this scene both compares and contrasts with the love confession scene in Episode II. Dialogue, visuals and music all contain parallels, the sort of subtle poetry that makes the saga such a joy to watch.

Next time, another iconic moment in that chamber...
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Still hoping to salvage something out of his deal with the Empire, Lando goes to inform the prisoners of their fate. Fett has claimed Han, but Leia and Chewie will find relative safety in the City. Leia doesn't buy it for a second. Why would the Empire let any of them live?

Because Luke is Vader's true prey.

It's no surprise that this shocking revelation sends Han into an attack against Lando -- and also no surprise that he's too feeble, post-torture, to get in more than one punch before the guards take him down. But his sarcastic words might wound Lando far deeper.

"You fixed us all real good, didn't you? My friend.


I'm going to include two quotes today, since they're part of the same scene and the same idea. Lando offers what weak apologies he can, referring to his own rather sizable problems, but Han's sarcasm doesn't diminish one bit.

"Yeah. You're a real hero."


There's something particularly striking about the way Harrison Ford conveys his character's sarcasm. You can hear the contempt dripping from every word, the bleak humor. And it's clear to me that his contempt hits Lando where it really hurts. Whatever their disagreements in the past, they have a history of friendship, of hijinks and adventure. Of heroism? Maybe. Or maybe they were just a bunch of no-good scoundrels. Either way, both of them have shifted to something more selfless. But Han doesn't see it in Lando. He betrayed their friendship; he's no hero at all. I doubt you could summon up a more cutting way to insult Lando.

Next time, a (hopefully) new perspective on an old favorite....
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Now that the Imperial presence in Bespin has been revealed, Vader proceeds to create a trap to ensnare Luke -- with the particularly cunning and brutal technique of meaningless torture. Meaningless for any practical use for the Empire, but quite productive in creating a personal disturbance in the Force for Luke. The more I think about it, the more chilling Vader's methods really are. He knows precisely of the sort of agony that comes from sensing loved ones in pain. He knows the desperation it causes -- the dark paths where it can lead. Uggghhh, it hurts my heart.

Lando's pretty miserable about it, hearing Han's screams of pain, but Boba Fett has different objections as Vader emerges from the torture chamber.

"He's no good to me dead."
"He will not be permanently damaged."

Shudder. To them, Han is nothing more than a piece of merchandise, an object that has value only inasmuch as it provides access to other possessions. For Vader, it's about getting Luke (and there, too, it's all about possessing and controlling rather than seeing his son as a person with his own autonomy and inner depth). For Fett, it's about getting his bounty. No problem with inflicting agonizing pain on someone, as long as it achieves the desired goal. It's a simple matter of cost-benefit analysis.

Lando, meanwhile, is beginning to rethink his initial cost-benefit analysis and wondering if this deal was really worth it. But it's only when he abandons all of thought of deals and exchanges and seeks to protect people, whatever the consequences, that he can do the right thing and become a hero.

(Unrelated question: was Cloud City already supplied with torture chambers, or does the Empire have equipment for quick installations? Just some fodder for nonsense speculation.)

Next, a showdown between the betrayer and the betrayed...
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After Chewie retrieves Threepio's parts from a junk pile, Lando shows up to offer everyone "some refreshment." Knowing what's coming, I have to wonder if he's still wishing he could somehow warn them away before it's too late, with his veiled references to Imperial influence. Whatever his secret motives, the betrayal is revealed as soon as the door slides open to reveal Darth Vader.

There's a lot of memorable visuals here, like Vader deflecting blaster bolts with his hand and snatching the weapon out of Han's astonished grip...as well as the speculation about what that "dinner" must have looked like afterwards. But let's look at Lando's words. A strained monotone, explaining that the Imperials showed up right before the Falcon; that he had no choice.

"I'm sorry."
"I'm sorry too."

First off, this is a marvelously passive-aggressive way to reply to any apology. Of course I don't recommend it in serious situations, but in response to a flippant "I'm sorry," particularly from a fellow Star Wars fan, it's quite appropriate. ;)

I believe that Lando really is sorry. It was his old friend or his entire city, and he chose what seemed like the greater good. Frankly, I don't blame him in the least. Maybe I'm biased because my earliest memories of Lando come from the unambiguous hero in Episode VI, but I've always felt like he did the best he could under awful circumstances. He couldn't take the chance of endangering all of the people under his protection. And later on, when it becomes obvious that the Empire never really planned on leaving Bespin alone, he attaches his allegiance quite solidly to the good guys.

But the apology is obviously going to seem pretty hollow to Han and company. Lando can say he's sorry a thousand times; they've still been betrayed. Anger will come later. For now Han is just stunned, exhausted, offering a simple ironic response. I'm sorry too. Sorry you turned out to be a traitor. Sorry we thought we could trust you, sorry we came here, sorry we were ever friends at all. Those three words could carry a whole lot of meaning.

Next time, the cold calculations of Imperial bargaining...
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Leia's not a fool; she knows something is off in this idyllic city in the clouds. Threepio's disappearance is truly troubling, and none of Han's attempts to reassure her do any good -- possibly because she doesn't trust Lando, but maybe also because even in the best case scenario, Han is likely going to leave her life forever.

"Then you're as good as gone, aren't you?"

We have a very expressive, non-verbal reply from Han. There's definitely progress here in their relationship compared to the beginning of the film, when both of them are too stubborn to acknowledge their feelings (Leia by denying it completely; Han by focusing on her feelings instead of his own). Now they've at least stopped denying that there is something between them; they know that the prospect of being separated is painful. But full disclosure remains elusive.

An earlier version of this scene can be found pretty easily, in which they actually kiss and behave a little more openly. While I appreciate that it contains a mention of Luke, it's otherwise much stronger in the rewrite. Leia needs to remain uncertain, withholding, until the moment of crisis in the carbon-freezing chamber. The tension is so much more delicious that way.

Next time, fateful words from Lando...
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Ah, there's so many good lines here too. I don't want to lose you to the Emperor the way I lost Vader and Mind what you have learned; save you it can! and oh well, I'd better just hurry to the last line before I spend another month on a single scene. ;)

As Luke's ship takes off, Yoda offers Obi-Wan a sad I-told-you-so. Luke was reckless, now everything is worse. Ben doesn't dispute this, even going so far as to claim that boy is our last hope. Not so, according to Yoda.

"No. There is another."

This must have encouraged quite a bit of speculation among audiences back in 1980. I've heard that some assumed it referred to Han, which seems quite curious to me. Did anyone guess correctly? My understanding is that even Lucas was still working out some of the details before the sibling reveal in Episode VI, but then it's also clear from a scene near the end of this film that Leia has some kind of sensitivity.

Anyway, that was 1980. Knowing Leia's identity brings on a different set of speculations. Why does Yoda see hope in Leia while Obi-Wan doesn't? It would be a bit absurd to accuse Ben of sexism when he was well-acquainted with many powerful female Jedi in their heyday (even if, ahem, none of them had any speaking parts in the films, but whatever). It seems more specific to Leia herself. But doubtful too, that he would consider her less capable than Luke. Maybe he believes that he introduced Luke to Force training just in the nick of time, and now that a few years have passed it's too late for Leia? Or he supposes that her strengths lie more in the direction of their mother's gifts rather than their father's? That carries its own sort of sexism, though.

Last hope. Only hope. These phrases lend the films an air of high urgency, of desperate stakes and only the slimmest of chances. Is Yoda more optimistic in holding out hope for Leia? Is he more sensitive to the whisperings of the Force than Ben? There are so many questions, and I find it all the more interesting that we aren't given definite answers. More room for imagination.

I am, however, eternally disgusted with the cop-out the Disney Space Movies offered for why Leia never became a Jedi. They could have chosen differently, and it wouldn't have required Carrie Fisher to be as fit as a 20-year-old. There are other ways to show Jedi strength. And I have no doubt that Leia would have become a fantastically mighty Jedi. The daughter of Anakin and Padmé? Are you kidding me? She wouldn't have wasted time sitting around as a passive "general;" she would have been unstoppable. Tough but compassionate, brilliant and empathetic, fearless and bold. She and Luke would create a new Jedi Order that would surpass the old one in every detail, including its longevity. What a waste to miss out on that!

Welp, next time we return to Cloud City and a few pointed words from Leia herself...
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While we're waiting uneasily for the trap to spring in Cloud City, we return to Dagobah where Luke is preparing to come to the rescue. Both Yoda and a ghostly Obi-Wan plead with him to stay and finish his training, but he refuses. And would we think better of Luke if he obeyed? Doubtful. We don't tend to celebrate heroes who calmly wait and study and focus on long-term victories. And yet his mentors foresee that Luke's impatient heroism will actually make the situation worse. All that Luke can see, when Ben exhorts him to patience, is the awful callousness of abandoning his friends. Yoda has a solemn response to his protests.

"And sacrifice Han and Leia?"
"If you honor what they fight for, yes."

What a painful choice. Han and Leia, we know, are willing to die for the cause of the Rebellion. But it's a different thing to choose self-sacrifice. Sacrificing your friends? It seems unthinkable. I can't imagine doing otherwise than Luke does.

Oh, just imagine Yoda and Obi-Wan's concern here, as they see Anakin's son veering dangerously close to the same path. Forsaking Jedi ideals to save his loved ones, at all and any costs. Yikes. No wonder they're so worried.

Next time, reluctantly sending Luke on his way with many sober warnings....
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Bespin is a gorgeous place, a city floating amid the clouds. Thanks to Luke's vision, however, we're already tensing ourselves for the horrors lurking beneath the beautiful surface. There are ominous glimpses: in the hostile words of the guards directing them to land, and in Lando's initial angry appearance. Then he breaks the tension with a delightful chuckle, and things are looking light-hearted again. Bouncy music, bright interiors, friendly chatter from Lando. Han is downright amused by his old friend's transformation into a responsible leader.

Lando pauses for a moment, his buoyancy settling into something more wistful and nostalgic. It's these little glimpses of Han and Lando's shared past that provide dimensionality to their characters, an implied history that gives their friendship depth and nuance. Of course, if you know the betrayal that's coming -- and even first-time viewers know that some sort of danger is approaching -- you could interpret Lando's wistfulness as more complicated, perhaps the guilt of someone caught between betraying his friend or losing his beloved city to Imperial control.

In any case, he shakes it off and replies to Han's earlier comment.

"Yeah, I'm responsible these days. It's the price you pay for being successful."

It's a simple line, but I think it says a lot about Lando. As we'll see later, he's much more than a con man who tricks Han and company into trusting him so he can hand them over to the Empire for profit. Whatever his shady past, he has become a respected leader, and he's learned to accept that role. And I don't think it's merely because he endures it for the sake of attaining greater financial success. When everything falls apart after Han is frozen in carbonite, Lando makes a point of warning the citizens of his city about the Imperials. There's no monetary advantage to that; it only further endangers him. His priority at that point is people, not possessions.

Of course I'm getting ahead of myself. I just really like this line and what it illustrates about Lando's unexpected journey into becoming respectable.

Next, more ominous warnings of treachery....

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