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Well, Luke sees his friends. And things don't look good. We already knew from Boba Fett's pursuit at the end of the last scene that something ominous is coming for our heroes on the Falcon. But we get details here from Luke's vision before they show up in the timeline. A city in the clouds...Han and Leia in pain. When Yoda confirms that he has seen the future, Luke asks in true anguish, Will they die?

"Hmmm. Difficult to see. Always in motion, the future."

This is a crucible for Luke. We see its mirror image with Anakin's struggle in the prequels. If you could envision some awful future for your loved ones, wouldn't you do anything to prevent it? But just how reliable are those visions? Are they inevitable, or do they shift and change according to various choices? The future is always in motion. It is not immutable. How that plays out for the visions, we can only guess.

Story dynamics always get a little sticky when you bring in the component of being able to see the future. Did Anakin's vision of Padmé's death actually cause her death? How does free will come into play? The films offer no definitive answers, which leaves plenty of room for personal interpretations of these thorny issues. It's a marvelous philosophical tangle. Narratively speaking, it provides a situation that sets our hero between two excruciating choices -- try to change the future and risk abandoning the cause he has sworn to uphold, or follow his duty and leave his loved ones to potential doom. Save them, or destroy all for which they have fought and suffered? Luke is left with this conundrum while we get a first glimpse of that city in the clouds.

Next, a meeting with that city's debonair administrator....
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Returning to Dagobah, we see Luke continuing his training with what is apparently a favored method for Yoda: levitation hand-stands. Contrasting this instance with the last one, Luke has already made significant progress. Once he struggled with just one rock; now he's lifting boxes and R2 units with ease.

But that's just the physical. Yoda has more esoteric skills to impart to his student.

"Through the Force, things will you see, other places. The future, the past. Old friends, long gone."


Simple words that carry so many implications. Did we have any idea of the extent of the Force's visionary power before this moment? Obi-Wan and Vader could sense each other's presence; Vader was aware of the Force guiding Luke during the Battle of Yavin. That was just the beginning. Other things and places. The future and the past. And old friends, long gone.

That last phrase is so poignant to me. It always was, even before the prequels. There is such wistfulness in Yoda's tone. He is a lone Jedi in hiding. His people, the Jedi Order, were slaughtered. Does he often see them in vision? Do those visions come against his will or does he summon them? Does he take comfort in his memories or only pain?

In the moment, of course, the story is about Luke's old friends, and we'll see the consequences of that next entry. But I'm always intrigued by the little glimpses we get into Yoda's inner life.

Next time, Luke's vision....
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After a delightful reveal of the Millennium Falcon's clever hiding spot, we learn of Han's makeshift plan. Wait until the fleet dumps their trash pre-hyperspace, float away and find a safe place to make repairs. Leia seems to approve, even though she can't help taking another dig at his ship with the wry retort With the rest of the garbage. Their verbal interplay continues as Han stumbles across an old friend.

"Lando System?"
"Lando's not a system, he's a man. Lando Calrissian. He's a card player, gambler -- scoundrel; you'd like him."

This is a great example of tight, efficient exposition with a touch of humor and character flavor. We have a nice sketch of Lando in just a few words. Probably not trustworthy, as Han willingly admits a few lines later, but certainly not the type to hold Imperial sympathies. I'll be exploring a lot more of Lando's complexities later on; this is an fitting setup.

As far as the tone, there's still a slightly combative nature to Han and Leia's exchange, but it's softened, become a little more playful. They both know something has changed between them since that kiss, though neither one is ready to admit it yet. Leia concedes just enough to give his cheek a peck and acknowledge that he does have his moments, now and then, as his plan comes to apparently successful fruition.

And I'm always trying to to work variations of "Lando's not a system; he's a man" into my everyday conversations. It's delightful.

Next, Luke is confronted with the awful paradox of heroic compassion....
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Having witnessed a wondrous use of the Force, we transition to the brutal contrast of the Dark Side's tactics. After the Falcon's strange disappearance, Captain Needa proclaimed that he would claim full responsibility and apologize to Vader personally. We all knew what would happen. I believe Needa knew it as well. It's intriguing to see, even among the cold, unfeeling ranks of the Empire, someone who is apparently willing to sacrifice himself to protect his underlings. It would be fun to explore Captain Needa's motivations via fan fiction.

Meanwhile, Vader dispatches him with a sardonic one-liner.

"Apology accepted, Captain Needa."

There's no one else around, unless you count the nameless officers scurrying forward to dispose of Needa's body. Needa himself is obviously in no condition to appreciate Vader's humor. As far as I can tell, he says this only to amuse himself. While I'm repelled by the chillingly gruesome humor, I think it also illuminates Vader's truly pathetic nature.

In this solitary grim joke, you can glimpse the snarky kid who used verbally spar with Master Obi-Wan. He has no sparring partner now. His current master hardly seems the type to appreciate witty zingers. Vader has hundreds of Imperials ready to jump at his every order, even dragging off the corpses in his wake, but he has no one at his side, no companion, no friend.

Next time, a quiet exchange between Han and Leia....
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After all of Yoda's eloquence, Luke remains unmoved. He stands and looks down at his master, speaking in a disdainful tone. You want the impossible. Still limited by his perceptions, convinced that he knows where the bounds of the possible lie.

He is wrong. With a great sigh Yoda recognizes that there is only one way to get through to such a hard-headed student. He lifts the ship from the swamp himself, slow but steady, with the Force as his unerring ally.

As many lines as I've covered from this scene, the best parts aren't from the dialogue. The sweeping score, building to a climax as the ship emerges and settles gently on the shore. The extraordinary expressiveness on the face of what is essentially a glorified Muppet. The subtle touches of the editing, shots of Yoda in deep concentration, a startled Artoo and a baffled Luke, intercut with the progress of the levitating ship. And note the shift in Luke's placement relative to his teacher. At first, when he slumps to the ground in defeat, they are roughly the same height. Yoda offers him a powerful lesson, but Luke's rejection is visually manifest in the way he stands up and towers over Yoda, believing these precepts to be beneath him. When he returns after the ship's ascension, however, he is positioned on a spot of land below Yoda's perch. He must look up at him, acknowledging his superior skills and knowledge. And still...I don't believe it.

"That is why you fail."

Simple words, yet so profound. This is what Yoda really meant about there being no try. Luke was approaching the task already convinced that he wouldn't succeed, so of course he failed. He had no faith.

Does this mean that the powers of the Force literally don't work if the user doesn't believe in them? That's a matter of debate. We could certainly consider the metaphorical applications in any number of believe systems in which faith is a key principle. Even outside of any religious context, however, it's a fact that we rely on acts of faith every day. We get up each morning with faith that the world still exists outside the bedroom. We reach out to our friends with faith that they will support us. We go to our jobs (or in the case of quarantine, work from home) with faith that we will be compensated for it. We go to bed each night with faith that the world will still be there when we wake up.

Well, you might say, it's hardly an act of faith when we've done those things all our lives and they've always had the same results. True...and yet they're still not completely guaranteed. Some acts of faith are easier, more reliable, than others, but every time we do anything with an expected result, there is some element of faith involved. Without that faith, we wouldn't perform the action in the first place.

So maybe Luke failed because he wasn't really trying, or maybe he failed because the Force doesn't respond to the faithless. Either way, belief is absolutely necessary. Without it, nothing is possible. With it...the possibilities might just be limitless.

Next, we finally move on to a new scene...
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Yoda urges Luke to look beyond the physical, to the all-encompassing power of the Force. His descriptions are pure poetry. Reminiscent of Obi-Wan's discourse in Episode IV, but expanding to embrace everything. Life creates it, makes it grow. Its energy surrounds us and binds us.

"Luminous beings are we! Not this crude matter."

I adore this phrase, punctuated so well by Yoda's vigorous grasp on Luke's shoulder. Luminous beings. A mystic and wondrous image. Luminous. Perhaps we might think he is referring to the spirit form of Jedi like Obi-Wan, glowing gently blue. Perhaps. But that is itself only a visual representation of something far more expansive. (Which is why I've always thought it was silly to make a fuss over whether Anakin appears as his young self or his old self at the end of Episode VI. His physical form is irrelevant; why couldn't he appear as any age he pleases?) There is far more to luminous than its literal meaning. Whatever shines brightly within us that transcends the physical. It shines within every living thing, throughout all the universe.

In Luke, in Yoda. The tree, the rock, the land, the ship. Connecting all of us, with powers far beyond the physical, beyond crude matter. We are more than inert weight. We are part of something so wondrous and extraordinary that we can scarcely grasp it with our natural eyes. Its glory is blinding. Luminous.

Next, Luke remains the stubborn skeptic....
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I suppose most lists of great lines from Star Wars, or even great lines from Yoda in particular, would include his little speech about how there is no try. I will not. It's one of those quotes, I feel, whose value varies depends on how it's interpreted. When people use it as a way to encourage positive visualization -- "if you can't imagine yourself succeeding then you've already failed" -- well, great. But the other interpretation irks me greatly. Don't bother attempting something unless you can give it your all? Anything less than perfection is unacceptable? Ugh, no. I doubt Yoda is intended to mean it that way, but lifting it out of context, there's just too much room to use it as an excuse for giving up.

There are better quotes from this scene. After Luke tries, and fails (or does not) he slumps down in exhaustion and declares that the task simply isn't possible. It's too big.

"Size matters not. Look at me. Judge me by my size, do you? And well you should not. For my ally is the Force. And a powerful ally it is."

As in previous entries, Yoda is continually working to break through Luke's stubborn preconceptions. He still can't help seeing the world in physical terms. But he has, in the form of his Jedi Master, a perfect example of how the Force transcends such mundane characteristics. By typical standards, Yoda does not have any appearance of power or might. From his size you might assume he's a child. From his wizened face and slow gait you could think that he's already left the years of his strength far behind him. From his peculiar speech you could imagine his mind is a disordered scramble.

All false. Because his strength comes not from his body, from youth or from stature or cleverness. His strength comes from the Force. If I might paraphrase a Biblical passage, "With [the Force] all things are possible." Without it, the physical world is overwhelming, too big, too heavy, too powerful. With the Force, none of that matters. With an ally like the Force, no enemy is too great.

Next, more eloquence from Yoda....
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And now, straight to the very next line!

"You must unlearn what you have learned."

It's not enough for Luke to learn new principles about the Force. He must dismantle all the pre-conceived notions that are hampering his understanding. He believes that lifting rocks is different from lifting a ship because he has learned that one object is heavier than another. Now he must unlearn that. In the world of the Force, they are the same.

There is a similar line spoken by the wise and ancient High Aldwin in the film Willow: "Forget all you know...or think you know." And this wisdom doesn't just apply to acolytes in the study of mysticism. One thing I realized very quickly when I started going to therapy is that I've developed a lot of learned preconceptions and behaviors without even knowing it, and many of those behaviors are holding me back. We all do that. We develop coping mechanisms, protective strategies created to shield ourselves from perceived pain. There's nothing condemnable about it; it's human nature. But taking a conscious look at those learned behaviors and deliberately unlearning them is a major part of improving one's mental and emotional well-being. Acknowledging those deeply-rooted beliefs and assumptions and knee-jerk reactions, and gently dismantling the ones that prevent us from becoming our best selves. It's a hard, long process, but it can be wonderfully illuminating and freeing.

We're not even halfway through this scene yet! More next time...
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And now we come to one of my favorite scenes in the entire saga.

Luke is in the midst of his training, which in this case involves both physical and metaphysical exertion. It would surely be challenging enough to stand upside-down on his hands with the additional weight of Yoda himself on top, but Luke is also practicing his telekinesis by levitating rocks. He's already come a long way from struggling to budge his lightsaber in the ice cave.

Still needs to work on his focus, though. Artoo's frantic beeps are enough to send him, and hence his master, toppling to the ground. Let's take a moment to appreciate that marvelous visual:

"Concentraaaaaate!"


Okay, okay. That's not the line I'm actually going to explore today, even if the image is delightful. It's after Luke realizes his ship has fully sunk into the swamp and despairs of ever getting it out. I mean, this is a pretty serious issue. Without a ship, he's trapped on Dagobah for good (unless he has sufficient equipment to contact someone off-planet, but that's all idle speculation). Yoda counters his assumption with quiet weariness. So certain are you? Always with you it cannot be done. Hear you nothing that I say?

Luke is confused, then incredulous as he realizes Yoda's meaning. He's used the Force to move rocks; why not his ship? Because his ship is a thousands of times bigger, right? It's totally different.

"No. No different. Only different in your mind."

You'd better buckle in, because this scene is going to yield more than a few entries. This is the core of Yoda's teachings, the paradigm shifts he requires of his students. You must stop thinking of things in terms of their physical qualities. Comprehending the physical world is only the beginning of understanding, and remaining within its limited strictures will only hamper one's progress in the spiritual realm. Those differences that seem so vast and important are only granted power as long as we believe they are significant. Let go of those assumptions, and we are freed to see a much wider view of the universe.

Now, we're unlikely to access the power of levitation and such other fantastic abilities in our own lives. We can, however, transcend the mundane and the literal through a change of mindset. I'm a big believer in the power of symbols. My very enjoyment of the Star Wars saga springs from the power of its metaphor. Luke is a intergalactic hero who destroys massive space stations, battles dire villains in laser-sword duels, and wields arcane powers beyond comprehension. I'm an unassuming writer, wife and mother living in a quiet neighborhood; I've never even been past the borders of my own country. That's totally different.

No. Only different in my mind. And within my mind, I can see the parallels of Luke's struggles with my own. As I strive to raise my children to be capable and kind, particularly a son with significant disabilities. As I dream of creating art that is meaningful, powerful and life-changing. As I try every day to be a better person, more resilient, more empathetic, more optimistic. Everything shifts from the mundane to the epic. Because the only difference between the mundane and the epic is within one's own mind.

Next, more wisdom from Yoda.....
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A glance through previous entries has me realizing that this series has gotten longer and longer with each episode. So I suppose I shouldn't be surprised to reach the 24th entry with so much of the movie still remaining to analyze. At this rate, I could easily spend an entire year just on Episode VI....

Honestly, these weekly entries have become quite valuable to me. Since I started Star Words back in March of 2017, it feels like the world has been turned inside-out and pieced back together sideways. It's frequently exhausting and disheartening. Having one stable thing that I do every week, however trivial, offers a much-needed measure of comfort. Stories are important.

So where did we leave our heroes? Ah yes, escaping the perils of the asteroid field only to fall directly into the path of the Imperial fleet, highlighted by Threepio's premature and therefore ironic expression of relief. Out of the gundark's nest and into the fray. No need to worry, though -- Han's got everything under control. He readies the ship for hyperspace.

Nope.

"No lightspeed?"
"It's not my fault!"

It's the little things that bring out the humor in this running gag. That sound -- the rise and fall of the ship's ailing hyperdrive. The subsequent fall of Han's expression. And note Leia's evolving reactions. The first time she's shocked and appalled. This time she hardly bothers to act surprised. By the third time, as we'll see near the movie's end, she's given up saying anything and just buries her face in disgust.

Han's response, too, is a recurring bit that Lando will echo later. I have to say that this particular phrase grabs me because I hear it a lot from my youngest. He's going through a very defensive stage of late, so we hear "How was I supposed to know that?!" and "I wasn't trying to do that!" and so forth. To him and Han and Lando I would reply, "Yeah, but your fault or not, you still have to deal with the consequences. So get moving and stop whining."

Fortunately, in this case Han is able to pull himself together and find a very creative solution. But first we'll head back to Dagobah for one of Yoda's most powerful lessons....
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Back on the Executor, we see Vader introduce a new element into a chase that has previously involved only the Empire and the Rebellion. Bounty hunters. This is a fairly brief scene, but it offers an evocative glimpse of the underworld in the Star Wars galaxy, the same as the cantina sequence in Episode IV or the nightclub in Episode II.

For people who delight in morally ambiguous characters, this is apparently the best part of Star Wars; the mercenaries and assassins and the space version of the Wild West. I guess that explains the appeal of The Mandalorian? Well, that and an infinitely-memeable teensy adorable baby. Whatever. To each their own, but I prefer a wider scope.

Anyway, the visual contrast is highly illustrative. Each hunter has their distinctive look; all are clearly disreputable. They stand in contrast to the Imperials in crisp, identical uniforms -- and it's clear from once officer's disdainful term of "scum" that not everyone agrees with Vader's choice of unconventional resources.

Vader cares not a bit for that. He informs the hunters of a considerable reward and allows whatever methods they deem necessary -- as long as the captives are taken alive. Addressing Boba Fett in particular, he adds a stern specification.

"No disintegrations."

Note: use this phrase whenever you're giving anyone instructions. See if they answer with a grudging, "As you wish."

This is spartan, efficient character-building. From this and Fett's reluctant response, we know that such disintegrations are something of a calling-card for this bounty hunter. And we know that Vader knows this as well. He doesn't share other Imperials' distaste for relying on underworld elements, and seems quite familiar with some of their more notorious figures. (Seeing how comfortably Obi-Wan navigated the cantina, we might surmise that Vader acquired this predilection at least partly from his former master!)

Meanwhile, we don't need a prolonged introduction to Boba Fett. If we knew him as a boy seeking vengeance from his appearance in the prequels, this is a natural extension of that. If this is our first glimpse of him, in mere seconds we learn that he's an infamously ruthless bounty hunter. In a wider context, his quick popularity might have had something to do with marketing and hype. For me, this scene and his tracking skills are enough to establish his character. (And my feelings about his death are quite similar to that of Darth Maul's character -- his death was fully appropriate and not a let-down, however Disney might attempt to resurrect him via shameless pandering to fans. I'll get to that more in the Episode VI installments.)

Welp, things are looking pretty grim for our heroes. Is it possible the Falcon can escape the Imperials yet again, while also evading this brutal crew of hunters? We can only hope -- oh, guess not. The scene ends with an officer triumphantly proclaiming, "Sir, we have them!"

Next, a (near) head-on collision with a Star Destroyer....
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Yoda's warnings about the Dark Side are followed by a much more visceral illustration of the danger that threatens Luke. As he begins to sense something ominous nearby, the Jedi Master informs him that he must go into this domain of evil. Understandably confused, Luke asks what he will find there.

"Only what you take with you."

This cryptic reply doesn't do much to reassure Luke, and so he girds himself with his weapons belt, just in case. And ignores Yoda's statement that he will not need them. You can't really blame Luke too much if we're approaching this situation from a pragmatic, mundane perspective. Better to have them and not need them than the opposite, right?

But this is not a pragmatic, mundane situation. This is literally a place that only contains what you take into it. Luke, bringing his weapons, thus finds himself facing a grim vision of his worst enemy (we can guess that it's only a vision since Vader's theme is conspicuously absent). And he finds himself in the position of aggressor, being the first to ignite his saber, the first to deliver a blow. Moments later, Vader's helmet lays at his feet.

And he sees his own face behind the mask.

We can speculate endlessly on what sort of place this is; why there would be a domain of the Dark Side on Dagobah and how it originated and what sort of metaphysical powers does it possess and so on and so on...but that's not thematically useful. Thematically, Luke just learned that the real danger lies inside himself. He entered the test with violence in his heart, and violence is what he discovered there. While we might not encounter such tests in a literal sense, we will often find that any given situation becomes whatever we bring to it. If we look to find fault, to take offense, to attack, to covet, to resent -- that is exactly what we will find.

Next, another narrow escape for the Falcon...
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In the last scene on Dagobah, Yoda had quite the list of reasons for not training Luke. There was no apparent resolution reached, only a grim warning that fearful times would come. Yet when we return, Luke is in the midst of an intense training session with the Jedi Master. Did something change or happen off-screen? Or was Yoda always planning on teaching Luke, with his apparent refusal serving as yet another test? Many possibile explanations. I can imagine that Luke's very claim of being unafraid provided the opening Yoda wanted; an opportunity to humble this hotheaded boy.

In any case, the training has started. Whether it will succeed in producing a Jedi Knight is up to Luke.

While Luke performs exercises of physical strength and dexterity, Yoda encourages him to recognize the Force in every aspect, flowing through him. The focus of his lesson, however, is a warning.

"But beware the Dark Side. Anger, fear, aggression. The Dark Side are they. Easily they flow. Quick to join in a fight."

You can really see the influence of eastern philosophies in Lucas's concept of the Force. The apparent contradiction of a peaceful warrior will be familiar to anyone who has studied martial arts. Mastery of one's emotions rather than allowing oneself to be mastered by emotions. Attaining balance and finesse through serenity and mindfulness. Knowing that just because you possess fighting skills doesn't mean you should immediately resort to fighting. Yoda will go on to tell Luke that the Jedi use the Force for knowledge and defense, never for attack. From that we can see how the events of the Clone Wars truly degraded the Jedi's ideals. Once they opened themselves to the idea of leading soldiers in war, they grew quicker and quicker to join in a fight.

Yoda has much to say about the Dark Side, from hard experience. Forever will it dominate your destiny. Consume you it will, which he witnessed as Vader destroyed Anakin. What he hasn't yet experienced is someone's reclamation from the Dark Side. Of course it would be better to avoid the Dark Side. But refusing to believe that someone could return is giving in despair. And isn't despair just another manifestation of fear?

Yoda is wise, but he's not all-knowing. There are mysteries of the Force even he hasn't learned yet. Still, his advice is applicable for all of us. Beware of anger, fear, aggression. They are easier, quicker, requiring little self-discipline. But they will lead to a path of destruction.

Next time, we'll continue in this scene with more wisdom from Yoda....
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Back on the Falcon, we're offered a glimpse at the aftereffects of Han and Leia's kiss, as we see Leia sitting alone in the cockpit in brooding contemplation. In keeping with the brisk pacing of these films, however, the scene doesn't linger too long on her introspection. Events escalate in rapid succession, from the jump-scare of the mynock to the excursion into the cave to Han's realization that they've got to get out of there before being digested. I will, of course, take note of the exchange No time to discuss this in committee I am not a committee! which is marvelously paralleled with Queen Amidala's line in Episode I, but then there's this.

"The cave is collapsing!"
"This is no cave."

An obvious similarity between this and That's no moon. It's a space station. More than that, it draws out a theme of deceptive appearances. A cave in an asteroid is actually the digestive tract of a massive space-worm. An undersized moon is actually an armored battle station. A backwards-talking little frog-man is actually a wise and venerated Jedi Master. A callow farmboy is the best hope to bring down the Empire. A delicate-featured princess is a tough-talking, fearless leader. A swaggering scoundrel is a nice man. The terrifying villain was once a hero.

It's a tricky business, playing with our expectations. If it's done sloppily, it feels cheap and gimmicky. But if you never subvert tropes, then the story is predictable and says nothing new. The Star Wars films walk a delicate balance along the line, presenting us with familiar storytelling features clothed in strange new trappings. Encouraging us to shift our paradigms and challenge our assumptions. Keeping us on our toes.

Next time, another shocking paradigm shift on Dagobah...
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Recently I read a retrospective on Episode V claiming that the parts with Yoda were widely-regarded as the boring scenes. Well, I haven't polled the entirety of everyone who's ever seen the film, but it sounds like utter bunk to me. The Jedi training segments are unquestionably my favorites, and I doubt I'm alone in that. I find myself happily forgetting that it's only a single actor alongside a guy working a puppet, becoming wholly absorbed in the mystic wonder of Yoda's teachings. It's sheer brilliance.

So back on Dagobah, Luke is fast losing patience with the funny little green fellow who claims to know Yoda. Luke is trying to humor his quirky requests since he has no other clue for tracking down the Jedi, but this guy has no sense of the situation's urgency. Why is he puttering and muttering around his little hut and insisting that Luke eat first? (I find it quite entertaining that Luke's opinion of this food is about the same as the reverse situation in the previous scene. That face of disgust and forced swallow are just delightful.)

The truth is, even if the funny little green fellow weren't Yoda, Luke's dismissive, disdainful attitude would still be condemnable. The Force isn't about superiority and mastery -- not the good side, anyway. Having tremendous skills doesn't give you the right to sneer at those simple folk beneath you. On the contrary, a greater knowledge of and aptitude with the Force ought to make you realize just how connected everything is, and how nothing and no one is insignificant. Padmé was no Jedi, but she recognized that about Jar Jar, and it helped save her planet. Luke will recognize it about the Ewoks, and it will help bring down the Empire.

Luke hasn't learned it yet, though. After a particularly petulant outburst, Yoda drops his cover and sighs sadly. He does not believe the boy can be taught. It still takes a while for Luke to realize the truth, after a few ghostly proclamations from Ben. Smacking his head mid-protest only further proves Yoda's point. No patience. Much anger in him, like his father. Reckless. Too old. Luke insists that he won't fail him.

"I'm not afraid."
"Oh...you will be. You will be."

This exchange has ten times the poignancy when seen in the context of the prequels. Anakin was denied training at first as well, for many of the same reasons. But what was the primary concern? Too much fear in him. So it's fascinating to me that when Luke claims to be fearless, Yoda's response is a bone-chilling warning. You will be.

Obviously this was written before Episode I, but let's look retroactively through that lens. Maybe Yoda has learned something with the failure of Anakin. Fear was, no doubt, his path to the Dark Side, but it's more complicated than that. Yoda might have realized that you can't just preemptively shut down all emotions, not even fear. To deny its existence is the surest way to succumb to its control. So Luke needs to be ready for the frightful things that are coming. Ready to confront his deepest fears of failure, loss and betrayal -- ready to overcome them with something far more powerful than fear.

For eight hundred years have I trained Jedi Yoda says, reprimanding Luke just as he reprimanded Qui-Gon for demanding training for someone who was yet untested. In all those years of teaching, however, Yoda still had lessons he had to learn for himself.

Next, more quips as the Falcon narrowly escapes digestion....
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Tarkin is the primary antagonist of Episode IV; Vader is his attack dog. It's only in Episode V that Vader fully takes on the role of main villain as his obsessive pursuit drives much of the story. Even so, he still serves a more powerful master. After only a brief reference now and then, it's not until nearly halfway through the trilogy that we finally see the Emperor. Introduced via hologram, just as both the Senator and the Sith Lord first appear in Episode I.

It's only one scene. Yet it's all we need to realize just how powerful the Emperor is. The officer informing Vader of the transmission looks like he might be nearing a pants-wetting level of terror. Vader, who until this point has been combing the asteroid field ruthlessly, immediately commands a withdrawal and wastes not another minute answering the Emperor's call. He bows to him, a small figure of humble submission alongside the over-large hologram of his master's face. What is thy bidding?

There are clues, however, of a play for power taking place behind the impassive mask. In the revised version filmed with Ian McDiarmid, there is quite a bit of tension behind Vader's How is that possible? with regards to Luke's parentage. When the Emperor presents Luke as a serious threat, Vader's reply is almost an open disagreement. He's just a boy. Obi-Wan can no longer help him. And when his master remains undeterred, Vader brings in a new idea.

"If he could be turned, he would become a powerful ally."
"Yes...he would be a great asset."

In its original context, the most significant thing about this exchange is the notion of trying to twist Luke to their side rather than just destroy him. This is the first real intimation of the danger that Luke faces, something far greater than peril of life and body. The scenes on Dagobah will reveal more of this spiritual danger and Luke's susceptibility. I imagine it would have been rather disconcerting for audiences in 1980. Luke, turn to the Dark Side? Unthinkable! We are forced to confront the notion that no one, however good-intentioned, is immune to that temptation.

In a wider context, however, we recognize that Vader isn't just helpfully suggesting a potential ally. This is a bold move in the game that a Sith master and apprentice play. He's essentially saying, You won't be around forever, master. Someday I'm going to take your place, and I've started looking for my apprentice. Palpatine's response could be interpreted as Ah, but what if I decide to replace you instead? I might enjoy having a younger, able-bodied apprentice

For now, their plans are only speculative. They can both remain in agreement about wanting to bring Luke to the Dark Side. Vader willingly offers the chilling He will join us or die, Master. Without knowing it, Luke has become a pawn in a millennia-old power struggle.

And next time, we'll see him continue to make a rather lousy impression on his Jedi instructor...
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I suppose right now we can all relate to the crew trapped aboard the Falcon for a prolonged period. Tempers are flaring, nerves fraying. And I wouldn't be at all surprised if fan fic writers are seizing onto the quarantine as the new "trapped in a snowstorm" scenario for forcing pairings into heightened romantic tension.

Well, the older and wiser I get, the more ambivalent I feel about Han's methods for wooing Leia. When the heaving ship sends her into his lap, she states quite clearly her desire to get away. He ignores it, then teases her quite suggestively. Later, he sneaks up behind her and engages in a whole lot of unwanted physical contact. She lets him know, both in angry shoves and verbal communication ("Stop that!") that he's crossing her boundaries. He persists.

Alas, this is how the dashing hero often woos the maiden in our culture. I assume it partly arose because women were discouraged from seeking out romance themselves, for fear of seeming too forward, too eager, just plain too much. A demure, modest girl would wait for the boy to initiate. That morphed over time into the interpretation of a woman's outright hostile rejection as simply a denial of her true feelings, too tempestuous for her to fully contain. That is certainly the case with Leia. She's a hothead; she's too proud to admit her feelings to Han and open herself to that sort of vulnerability. So he has to push harder. It makes sense for their characters, but it has some truly disturbing implications.

I'm not going to focus on most of their banter leading up to the kiss. It's quite well-written, no question. I can recite it all from memory; that's how good it is. But if you switched out the gentle romantic music in the soundtrack with something from a stalker movie, you could see how easily it becomes creepy.

But then there's the little exchange about Han being a scoundrel; his rejoinder that she ought to have more scoundrels in her life.

"I happen to like nice men."
"I'm a nice man."

Leia's dispute is cut off by their kiss, so maybe she agrees more than she would admit. The wider shot, as Threepio is showing up to throw cold water over everything, reveals that Leia's arms are around entwined around Han, indicating a willingness that belies her words. I kind of wish that wide shot happened earlier, because from the close-up it seems like Han could be backing her into a corner where she has no choice but to respond. Eech. In actuality, she's wanted this as much as he has.

Now, as for that line. Leia does like nice men. Or, more importantly, good men. Because one of her most defining traits is devotion to the cause of freedom, overthrowing tyranny and restoring a compassionate form of governance. How could she be happy with anyone other than a good man?

And Han is good. Getting better. He was pretty selfish when he first met him, preferring to sit and wait for Ben to take down the tractor beam rather than rescue some princess from execution -- at least, until he was promised a generous reward. He's come a long way from that. He's stayed with the Rebellion, probably longer than was wise considering the price on his head, and he's still detoured from going to pay off Jabba the Hutt because he looked out for Leia's safety first.

He's rough around the edges. His idea of flirting is combative and blunt; his default tone is sarcastic. But there's the makings of a hero underneath, becoming clearer with each day. Leia might be attracted to him because of his smirk and his rakishness, but she'll want to stay with him because he is, at his heart, a nice man.

Next, the unspoken power struggle between Master and Apprentice...
matril: (Default)
As Luke is setting up camp on Dagobah, his doubts continue to grow. Wondering if this Yoda even exists, or if he's just the product of a fevered dream on Hoth. Wondering why a Jedi Master would be found on a place like this. Feeling ill at ease --

Like he's being watched. By a strange little creature, goblin-like, whose speaks in creaky backwards sentences. Luke's apprehension quickly turns to disdain, as the newcomer approaches and begins rooting through his things with a child-like, mischievous curiosity. I'm particularly charmed by his disgusted commentary on Luke's dinner -- How you get so big, eating food of this kind? but another line stands out more, in response to Luke's claim that he's looking for great warrior.

"Wars not make one great."

It almost seems like a throwaway line, a bit of nonsense uttered by a dottering little weirdo as he crawls halfway into a box and rummages for goodies. Looking at Luke's expression in the above picture, you can see that's basically his assessment. Of course his main impression of a Jedi would be that of a mighty fighter. He saw Ben's skill with the lightsaber even at his advanced age. He has some idea of their significant role in the Clone Wars. The idea of "great" and "warrior" being at odds with each other would never cross his mind.

But it will be one of the most important lessons he must learn from Yoda. And Yoda learned this truth from hard experience. He watched his beloved Order shift from peaceful ambassadors to war leaders. He saw the Jedi succumb to the fruits of violence. As much blame as can be placed upon Palpatine and Vader, he knows that the Jedi were not entirely innocent victims in their downfall. He witnessed the Republic being torn apart by war. There was nothing glorious or admirable or great about it.

But Luke isn't ready to understand this just yet. He's not even ready to accept that someone like Yoda could be a Jedi. Yoda will continue to test his patience as he leads him back to his hut for dinner, with Luke following only with great reluctance.

Next, a little bit of romance inside a giant space slug...
matril: (Default)
The timeline of Episode V has always been a matter of some speculation. A few days, maybe a week? If we're going by the Empire's pursuit of the Falcon, that seems like a reasonable assumption. But if we're looking at Luke's time on Dagobah, surely it would have to be longer than that. He progresses much too far in his training for his time with Yoda to be anything less than months, right?

Well, whatever. Repeat to yourself: it's just a show. You should really just relax.

However long Han, Leia and company are hiding in the asteroid, they wouldn't have much spare time to take it easy. Lots of repairs need to be made, and tensions are running higher every minute. That's certainly true for the couple who keeps dancing around their unacknowledged attraction to each other, but before we go there, let's look at another pairing of opposites. As the ship heaves to and fro, Threepio innocently observes that their hiding place might not be stable. Han's response is less than gracious.

"Not entirely stable? I'm glad you're here to tell us these things. Chewie, take the professor in the back and plug him into the hyperdrive."

These are the sort of sardonic lines that Harrison Ford excels at delivering (and, I suspect, Carrie Fisher excels at writing). Just overflowing with weary contempt. And poor Threepio. His programming seems to have a giant gap in the spot marked Comprehending sarcasm. It does make me wonder if his cluelessness is typical for droids of his type -- aren't they supposed to be designed for human-cyborg relations? Hasn't Han worked with literal-minded droids before? And am I once again overthinking it? Maybe, probably, and yes.

Anyway, I heartily recommend quoting this line anytime someone points out something profoundly obvious. It's quite satisfying. (Hopefully your listeners will have more of a sense of humor than Threepio.)

Next, our first encounter with a little green friend....
matril: (Default)
Luke's first impression of Dagobah is not particularly favorable. Shrouded in both literal and metaphorical fog, he has no idea where he's going or what he's going to encounter. And so he crashes straight into the swamp.

He doesn't know it, but he's already encountering his first test in preparation for Jedi training. Several traits will be assessed here, including patience (not very promising thus far!) and learning not to judge things by their superficial appearance (which will coming into play even more strongly once Yoda shows up). He looks around at the murky swamp and can hardly believe this is the place where Ben has led him. After a mishap with Artoo getting eaten, and then spat out, by some sort of leviathan, Luke is really beginning to doubt. What are they doing here?

"It's like something out of a dream, or...I don't know. Maybe I'm just going crazy."

Why not both?

Both ideas evoke the other-worldly, peculiar nature of Dagobah. Here Luke will learn how to fully let go of the conscious senses that hold him back, to embrace the mystical perceptions that some could very well consider the ravings of madmen. It was in a dream-like state that he first learned of Dagobah from Ben, thereafter rambling in a manner that Han surely attributed to hypothermic insanity. So you might say that Luke's misgivings are actually a sign that he's in exactly the right place.

Of course, the statement is punctuated by Artoo's robotic retching, so maybe it's not quite as solemn as I'm making it out to be.

(By the way, I've always wondered why Luke's earlier line "You're lucky you don't taste very good" is replaced with the far-less-funny "You were lucky to get out of that" in the modified editions. Never mind Greedo or Han shooting first; this one was a far bigger loss to me. Were they concerned that people would assume Luke had personally tasted Artoo? Oh well.)

Next time, tensions continue to heighten on the stranded Falcon...

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